February 2025: Noise Levels Remain High

Time certainly flies, and as we find ourselves two months into 2025, the musical landscape has already been filled with some incredible highlights and perhaps a dash of the bizarre. In a world that seems to be spinning out of control, music once again emerges as a source of sanity and hope in the chaos. February 2025, with all its potential, is primed to work its magic.

Kicking off the month on February 2nd, sheer.sonic.flux. unveiled “The Cutting Room Floor,” offering a taste of their altgaze sound that strikes a chord with a 90s-inspired alternative rock/grunge vibe. This project shows promise, leaving listeners eager for more of this refreshing music.

Enter Noctambulist on February 7th with “Noctambulist II: De Droom.” Not to be confused with the death metal band of the same name, this Dutch blackened post-metal outfit delivers a unique and intense listening experience, complete with unexpected compositional choices that keep the pulse of the music pulsating.

Oklou introduces “choke enough” on the same day, capturing a nostalgic essence that is hard to describe but easy to feel. This album is brimming with heartfelt songs that exude authenticity and an abundance of vibes that resonate with listeners on a profound level.

Meanwhile, Moses Yoofee Trio dropped “MYT” on February 7th, showcasing a fresh take on modern jazz trio bands with their distinct and wonky pulse. Setting themselves apart from the norm, this trio offers a unique blend of musicality that is both captivating and refreshing.

In a bittersweet release, Low Roar bid farewell with “House In The Woods” on February 7th, marking their final album following the passing of founder Ryan Karazija. The album embodies the beauty and legacy of the project, serving as a poignant reminder of their artistry and talent.

FACS emerges on February 7th with “Wish Defense,” once again proving their worth as a modern rock band that deserves more recognition. With their charming and original sound, FACS deliver an album that is both captivating and a testament to their musical prowess.

Stepping into the realm of endearing gems, ODDLY presents “Swerve” on February 12th, filling the air with charm and good energy that is simply infectious. Imagining the band tearing down a basement show in Kyoto is a tantalizing thought, highlighting the band’s potential to captivate audiences.

Jolanda Moletta unveils “Night Caves” on the same day, offering ambient/soundscape music that balances beauty with a hint of discomfort. The sound design on this release is nothing short of exquisite, drawing listeners into a world of sonic textures and emotions.

Shifting gears, KALI Trio releases “The Playful Abstract” on February 14th, showcasing their evolution from dark ambient jazz to dreamy compositions that enchant the soul. With a sound that is both playful and abstract, this jazz trio proves to be a hidden gem worth exploring.

John Glacier brings forth “Like A Ribbon” on the same day, serving up a dose of creative and heartfelt hip-hop that is truly exceptional. Drawing comparisons to the likes of Little Simz, Glacier’s music promises to be the start of something extraordinary in the realm of hip-hop.

As February continues to unfold, the music scene remains vibrant and full of surprises, offering a glimmer of hope and solace in turbulent times. From altgaze to post-metal, jazz to ambient sounds, the variety of sounds and genres present a rich tapestry of musical experiences to explore and enjoy. So, let the music of February 2025 work its magic and keep us grounded in a world that seems to be spinning out of control.