Review of bdrmm’s album ‘microtonic’ by When The Horn Blows

Hull-based band bdrmm steps into uncharted waters with their latest immersive album, ‘Microtonic.’ Known for their dreamy fusion of shoegaze, post-rock, and ambient elements, bdrmm has established a solid reputation in the music industry following their 2020 debut, ‘Bedroom.’ Drawing parallels to Slowdive and DIIV, their music boasts reverb-drenched guitars, ethereal vocals, and a knack for blending introspective lyrics with euphoric soundscapes. With each release, bdrmm continues to push the boundaries of modern shoegaze while remaining authentic to their roots.

The album kicks off powerfully with ‘goit – goit,’ a collaboration with Working Men’s Club, setting a hypnotic and ominous tone for the record. The track exudes a dark, pulsating energy, evoking images of an underground club or a scene from a futuristic horror film. Lyrics like ‘Distractions/Spasms/Terror/Death/It all happened’ establish a chilling atmosphere that sets the stage for a captivating listening experience.

Transitioning to a more synth-driven sound, ‘John on the Ceiling’ radiates an upbeat and ethereal vibe that transports listeners to an alternate dimension. With its dreamy synths and subdued drumbeats, the track creates a sense of surrealism and intrigue, inviting the audience to immerse themselves in its sonic landscape.

‘Returning to a heavier, slower pace, ‘Infinity Peaking’ captivates listeners with its blend of shoegaze and electronica. Guitarist and vocalist Ryan Smith describes the track as a manifestation of the band’s evolution, striking a delicate balance between joy and introspection. The song’s experimentation and intricate instrumentation showcase bdrmm’s creative process and dedication to pushing musical boundaries.

‘Snares,’ a gentle and ethereal track, paves the way for ‘In The Electric Field,’ featuring Olivesque, offering a laid-back and introspective vibe that serves as a therapeutic interlude in the album. Despite its extended runtime, the song maintains its allure and builds to a captivating crescendo, leading seamlessly into the album’s title track.

‘Microtonic’ stands out as a highlight, raising questions about the band’s ability to replicate its studio recording in a live setting. Inspired by Radiohead’s ‘The King of Limbs (Live from the Basement),’ bdrmm members found inspiration in the holistic integration of electronics with traditional instrumentation, enhancing their live performances and enriching their sound.

‘Clarkycat’ infuses futuristic club music elements with a seamless blend of slow builds and rhythmic instrumentals. The track establishes a dynamic and engaging rhythm, embodying a cinematic aura that pulls listeners into its immersive soundscape.

As the album progresses, ‘Sat in the Heat’ exudes a musically upbeat atmosphere, offering a sense of escapism and blissful introspection. With its detached yet existential lyrics and mesmerizing synth progressions, the track takes listeners on a journey of self-discovery and reflection.

In its closing moments, ‘The Noose’ leaves a haunting and cinematic impression, bringing ‘Microtonic’ to a poignant conclusion. The track encapsulates the album’s thematic depth and emotional resonance, providing a cohesive and evocative end to bdrmm’s immersive musical journey.

In conclusion, ‘Microtonic’ showcases bdrmm’s artistic growth and innovation, offering a clean, well-produced, and authentic representation of the band’s evolving sound. Frontman Ryan Smith’s assertion that ‘This is what bdrmm sound like’ encapsulates the album’s essence, inviting listeners to dive headfirst into the alternate dimension of ‘Microtonic’ on February 28th.