John Myung discusses the impact of Mike Portnoy’s return on Dream Theater’s sound
When looking at Dream Theater’s recent evolution, John Myung, one of the band’s founding members and bassist, sees a significant shift in energy and chemistry, especially with the return of original drummer Mike Portnoy. This reunion, according to Myung, has had a profound impact on the band’s dynamics as a whole.
The presence of Portnoy back on the drum kit has created what many consider to be a second golden era for Dream Theater. Their latest album, Parasomnia, released in conjunction with the band’s 40th anniversary, was applauded for its return to the heavier sound the band is known for. Myung emphasized the importance of having Portnoy back in the band, highlighting the magical moments that have emerged from their collaborative efforts.
Reflecting on their time at Berklee College of Music, where Dream Theater began to take shape in 1985, Myung fondly recalls their dedication to honing their craft, particularly in room E19. This period of intense practice laid the foundation for many of the songs that would eventually make it onto their iconic album, “Images and Words.” The nostalgia and familiarity that this reunion has brought with it have reinvigorated the band’s creative energy.
Myung’s approach to playing the bass has always been grounded in providing a solid foundation for the intricate compositions that Dream Theater is known for. He values structure and groove over flashy technical displays, prioritizing the cohesion of the music above all else. By focusing on setting the right tone and supporting the overall sound, Myung plays a crucial role in shaping the band’s musical identity.
Drawing inspiration from bass legends like Steve Harris, Geddy Lee, and Chris Squire, Myung has developed a style that balances technical proficiency with musicality. He values simplicity and effectiveness in his basslines, recognizing the importance of serving the song rather than showcasing his skills. This dedication to the craft has allowed him to avoid creative stagnation and continue to evolve as a musician.
As Dream Theater embarks on this new chapter with Parasomnia, Myung emphasizes the importance of balancing technical complexity with emotional depth. While the band is known for pushing musical boundaries, he believes that restraint and nuance are key to creating powerful music that resonates with listeners. This conscious effort to find a delicate balance between technical prowess and emotional impact sets Parasomnia apart from their previous work.
Looking ahead to the future, Myung remains open to exploring new musical horizons, including a potential shift back to a 4-string bass for their next project. This creative flexibility and willingness to push boundaries are what have kept Dream Theater at the forefront of progressive music for over 40 years. And with the renewed energy and camaraderie brought about by Portnoy’s return, the band seems poised to continue pushing the boundaries of their craft for years to come.