Review of the album “The Last Kings of Babylon” by Jason Boland & The Stragglers

quarter-century of making music, reflective and wise in his approach. Boland, along with his band The Stragglers, has been a prominent figure in the Red Dirt music scene, hailing from Stillwater, Oklahoma. Their latest album, “The Last Kings of Babylon,” sees Boland revisiting his roots by collaborating once again with his original producer, the renowned Lloyd Maines.

“Red Dirt” music, much like “Americana,” is a genre that defies easy categorization. For Boland, it represents a blend of traditional country with a gritty rock n’ roll edge, eschewing mainstream Nashville influences. This unique blend is evident in the tracks on “The Last Kings of Babylon,” where Boland delves into the personal and professional aspects of his life as a musician.

The album kicks off with “Next To Last Hank Williams,” a reflection on the challenges faced by aging musicians. This theme continues with tracks like “Irish Goodbye,” exploring the concept of retirement and the desire to vanish without a trace. Through songs like “Truest Colors,” Boland offers a peek behind the curtain of the music industry, revealing the true colors of his fellow artists.

Intertwined with reflections on his career are glimpses into Boland’s personal life, as seen in tracks like “Take Me Back To Austin,” which feels like a page out of his own experiences. The album also features collaborative efforts, such as “Drive,” co-written by Jason Eady, Jamie Lin Wilson, and Kelley Mickwee. “Buffalo Return,” penned by Red Dirt pioneer Jimmy LaFave, adds a soulful touch to the album.

“Ain’t No Justice,” a fiery track written by Red Dirt legend Randy Crouch, showcases Boland’s energy and vigor as a seasoned musician. Despite his matured career, there is a sense of dynamism that runs through the album, fueled by spirited instrumentals and Boland’s introspective lyrics. Listening to a Jason Boland record is akin to embarking on a philosophical journey, exploring themes beyond the confines of country and Western music.

While his previous album delved into extraterrestrial themes, “The Last Kings of Babylon” keeps things relatively down-to-earth but with the thought-provoking nuances that fans have come to expect from Boland. His ability to encapsulate the essence of Red Dirt music in his songs is a testament to his strength as an artist. “The Last Kings of Babylon” is a solid addition to Boland’s discography, a reflection of an artist who continues to evolve and captivate audiences with his music.