Review: Filter and Jerry Cantrell Bring 90s Nostalgia to Life at the Vic

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that impressed the audience.

Since 1995, Patrick has been the consistent force in Filter, leading various lineups with short-lived members. The current group showcased impeccable technical skills and raw intensity, exceeding expectations with every performance. From the powerful riffs of “Obliteration” to the mesmerizing harmonies of “Take a Picture,” Filter’s stage presence is a must-see for any fan of 90s rock.

On the other hand, Cantrell’s set started off at a slower pace. Accompanied by a second vocalist to cover the higher ranges, including those originally sung by the late Layne Staley, both singers struggled initially due to sound mixing issues. Cantrell, known for his work with Alice in Chains, seemed reserved and unanimated on stage, going through the motions while performing tracks from his solo career and a token Alice in Chains favorite.

“It’s like an Alice in Chains cover band that writes its own songs,” a friend commented on Cantrell’s performance. However, as the set progressed and the momentum built, Cantrell seemed to come alive, especially during his performance of his latest album’s title track, “I Want Blood.” The second half of the set saw a more energetic Cantrell, including renditions of four more Alice in Chains classics.

Despite Cantrell’s efforts, Filter truly owned the night. With an electrifying opening set filled with energy and passion, Filter’s performance overshadowed Cantrell’s solo set. Patrick’s vocal prowess and the band’s technical skill made for a captivating show that left a lasting impression on the audience.

In conclusion, Filter and Jerry Cantrell brought a wave of 90s nostalgia to the Vic Theatre, with Filter stealing the show with their high-octane performance and remarkable stage presence. Cantrell, while delivering a solid set, was outshined by Filter’s energy and passion on stage. For fans of 90s rock music, a live performance by Filter is a must-see experience that will reignite the love for alternative rock of that era.

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