Weekly Music Recommendations: Anika, Esther Rose, Gino Vannelli
This week’s musical lineup is a compelling mix of genres, showcasing a diverse range of sounds and styles. From the swirling psychedelia of The American Dawn to the sharp post-punk of Anika and the heartfelt folk of Esther Rose, there is something for every music fan to enjoy.
The American Dawn’s “On The Edge” draws listeners in with a slithering beat and a whispered voice reminiscent of early Suicide or Iggy Pop. The gritty, atmospheric track unfolds gradually, building to a smoky, crooning guitar solo before fading away into the sounds of rainfall and distant thunder. With only two songs released so far, The American Dawn shows immense promise, leaving listeners eagerly anticipating more.
Anika’s “Hearsay” captivates with her deadpan vocals and driving, piercing guitar lines. The urgent, raw track from her upcoming album, Abyss, delves into themes of media manipulation and societal divisions, delivering a biting critique with a pulse-pounding beat that feels all too relevant.
Mo Lowda & the Humble’s “Canary” exudes a carefree yet grounded energy, mixing Mumford-style folk rock with jangle pop. Written on a fan-gifted yellow Fender Telecaster, the track features surf-pop-inspired riffs and a lively, descending intro that sets the stage for the band’s infectious sound. The splashy animated video perfectly captures the track’s sunny, upbeat vibe.
Gino Vannelli’s “No Where to Go But Up” is a soaring anthem that evokes the soulful spirit of Stevie Wonder and the polished charm of Michael Bublé. The uplifting track features feel-good chords, groovy guitar lines, and a surprising harmonica solo, delivering a rich blend of pop, soul, and jazz that showcases Vannelli’s effortless vocal talent.
Vundabar’s “I Need You” is a fuzzed-out, bass-driven post-punk gem with a shoegaze twist. The Boston trio’s layered sound combines shimmering jangle-pop with grungy scuzz, culminating in an introspective track that is both energetic and intimate. A surprise shouted “Congratulations” at the end adds an extra burst of energy, while the soft, intimate outro provides a personal touch.
Esther Rose’s “New Bad” is a masterful blend of grunge, shoegaze, and charm, showcasing the New Orleans musician’s talent for crafting poignant, catchy melodies. The track’s tightly constructed chorus and layered instrumentals draw listeners in, creating a communal, front porch jam feel that is as infectious as it is heartfelt. Esther Rose’s upcoming performance in San Francisco is already sold out, a testament to her growing popularity and undeniable talent.
In conclusion, this week’s lineup of musical offerings is a testament to the variety and depth of talent in today’s music scene. From The American Dawn’s swirling psychedelia to Esther Rose’s heartfelt folk, each artist brings a unique voice and perspective to the table, creating a rich tapestry of sounds and styles for listeners to explore and enjoy.